The Hippie Museum



POEMS IN MEMORIAM
By Allen Cohen


In Memoriam for George Harrison & Gregory Corso
The Bruce Latimore Show
Elegy for Rick Griffin
Haight Street - September 1998
Three Lives and Some Hippie Truths
We Are All On The Bus
Song For Dino
















In Memoriam for George Harrison & Gregory Corso

(based on lines by Gregory Corso & George Harrison)

by Allen Cohen


There are these openings that come to us
where time and space disappear.
They are the swirling light show of the mind.
Our generation now in our 50s and 60s
spent our lives sawing at the bars of our senses
to break out of this reality into the dazzling display
where "something more than god lies behind it all."

We are thrown back and forth between prison
and the heaven that lies darkly submerged within us
waiting for release where both worlds become one.
We needed to know it all from debauchery to sainthood.


Gregory on the streets of Greenwich Village and North Beach
George protected in his porous castle in England meditating.
No matter whether rich or poor their creations ascend
while death and ecstasy stalk every neuron
prodding the mind toward becoming that "perfect entity."
"Living through a million years of crying
until you've realized the Art of Dying."


Neither the fame of the Beatle nor the obscurity of the Poet
their drunkenness, addictions, sobriety or charity
could cloak them from the "wildbright joke"
that lives in the darkness and the light,
that inhabits every act, that drives us to love or hate,
that makes us selfish or sublime.


"I'm a dark horse running on a dark race course."
But we don't now how long the race
or where it will take us or when it will end.
Is the jockey our own will or an invisible hand
that created it all and pulls us onward
despite our kicking and striving?


Gregory with his puckish grin sings,
"Don't despair kind child of joy,
you'll get to God
and ease his dreadful tightrope."


While George in his surrender sings,
"Really want to know you
Really want to go with you
Really want to show you, lord
That it won't take long, my lord."


They both have left us here
swirling in the cyclone of history,
staring into the mirror of mind
wrestling with the absurd dilemma
dancing with suffering and ecstasy
alone and together leaping into the unknown.


January 10, 2002


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The Bruce Latimore Show -
Tribute to A Magical Isle After 600 Shows
thru William Shakespeare and Mike Somavilla.

Shooting toward the coast
through San Francisco
down Highway 1
the ocean kissing
the darkening beaches.
As the sun sets
its rays dart
toward the waves
turning the skies golden.

Ann’s stand up bass
lying quietly in its cover
in the the back of the Honda.
Heading to Pacifica Studio
to play on Bruce Latimore’s
community cable variety show.

Ann wearing white Grecian dress
looking like a goddess
plays stand up bass
while I dressed in rainbow tie dyes
read elegies of Ginsberg or Garcia
or latest political rant
hand poking the air.

Then we move to
Bruce’s Fortress Desk
and talk about Sixties
or the Oracle or children
or Ann’s drawings or paintings.

Bruce cool, no sweat
Prospero on his magical isle
The crew hovering behind camera
fingers keeping track of time.

The next act waiting on deck
600 shows, a cast of thousands
We could be followed or preceded
by Ramblin Jack Elliot,
his cowboy hat aging on his head.
Or Al Jazzbo Collins making
his last appearance before he joins
the jazz bands in heaven.
Or Country Joe singing to
prevent more wars .
Or Fruminous Bandersnatch
remembering rocking Berkeley
Or the many veterans
of the San Francisco Sound
Mike Wilhelm of the Charlatans
Jerry Miller of Moby Grape,
Darby Slick of Great Society
Sam Andrews of Big Brother
Jorma Kaukonen of Jefferson Airplane
Lisa Kindred singing the Blues,
Chet Helms impresario of the Sixties
George Michalski accompanying everyone
with a thousand fingers on the piano,
Rock Scully from inside the Grateful Dead,
Zero carrying the Sound into the nineties.
JC Flyer chronicler of the music
playing with his country band.

The Pacifica fog
surrounds the studio
the ghosts have risen
and come back to life.
Like Prospero
requiring some heavenly music
he has brought us all forth
the elves and angels
the known, the unknown
the should be known
the never will be known and
the should never be known
and by his potent art
and rough magic
has worked his purpose
upon the world’s senses.

Allen Cohen

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Elegy for Rick Griffin

The week Rick Griffin died
my daughter hit her head on a diving board.
The Soviet Union had a coup
that threatened to drag it
back into the dark ages
but quickly defeated it.
Two friends threatened
to throw each other in jail.
My old communards fought
over the ownership of the land.

Sometimes the world seems to stop -
it just won't work.
The wheels won't turn.
The waves and the wind won't rise.
The beat slows down and
the notes go flat.
It all becomes a struggle
and then a heartache until
another piece of flesh
is torn from the body.
It was a raging time
the week Rick Griffin died.

He had been discovering
new beaches on the Northcoast
to surf from - the waves
clean and rough.
His life seemed
to pound against him
waves in a storm.
He would come to see me
only when he found
the curve of the right wave.
It was foggy on the coast
the week Rick Griffin died.

He would appear glidingly,
silently as if he were standing
by my side always.
His slight smile saying,
"Didn't you know I never forget?"
It was like waiting for a lover
the anticipation, the fear
that she wouldn't return
or waiting for Owsley
who would come when
he felt least expected
and the phone wouldn't stop ringing.
There was a fateful dread in the mind
the week Rick Griffin died.

Somber, outwardly serene, waiting
for the image, the line,
his own line, not the client's line.
Time and inspiration
dueling against the deadline,
the deepening lines of age,
the white line on the highway,
the scars, the bruises, the fire,
the lines of love churning
into a whirlwind, and then calm.
All the losses and recoveries
become sin and redemption,
darkness and light.
His life speeding
toward the elegy,
The day Rick Griffin died.

Always the primed canvas waited
for the still moment that rarely came
the moment out of time
where whirlwinds and waves
become form and color.
Life, as with all of us,
colliding with the elegy.

Now he has gone through
the glowing doorway
he kneeled before
covered in armor
lancelike pen
and ink bottle in hand
surging up and over
the waves of light,
the armor dissolving
swirling naked
into the eye of light

Allen Cohen

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Haight Street - September 1998

At 6PM the sun going down hovering, searingly bright, in the middle of Haight Street. The street left to the homeless sitting alone and in groups in front of liquor stores between buildings drinking coffee. Old and young men and women alcohol and drug addicted, mad and down and out. A few are standing on corners selling their artwork. One young boy holds up psychedelic water colors. Another with squiggly lined pen and ink drawings taking the shape of monsters. A young girl with a ring through her upper lip reading from her hand written poems to the almost empty street, "I ruminate in the desolation of America." The mural of Bob Marley painted on a corner grocery store at Haight and Central, the last mural heading downtown and the first one coming into the Haight has written across its top, "Respect is the only thing we have."

Allen Cohen

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THREE LIVES AND SOME HIPPIE TRUTHS
For Jack McCloskey, Ron Thelin and Ambrose Hollingsworth

Sometimes I get the feeling that I’m disappearing behind the glaring spotlight of media- the political circus, TV, and Sports, and Movie heroes. In this world of 6 inch and 20 foot tall images who do nothing for humanity except sell sneakers or make empty speeches, or appear in the dream world of sex and violence, and get paid millions of dollars despite their marginal and illusory existence, in this world our own lives, the lives of those whose acts come within the scope of their talents, their intelligent daily decisions, their unheralded kindness and love. seem to dissolve in frustration and toil against the silence of the calculus of history. But look closely at those lives with their true heroism of every moment, fulfilled through the sustenance of friendship, the love of the children and one another. For each other they become larger than life, far larger than movie screens, in the singing of a song the reaching out of a hand across the emptiness, the drawing of a picture, the writing of a poem even in the washing of a dish, the repairing of a fence or car, the sewing of a loose button. I am sitting at the memorial for Jack McCloskey, at the Family Dog Ballroom. Jack was the Vietnam Veteran counselor whose life starting in that war that so defined our era, was given to reaching out to others. First to their bodies when as a front line unarmed medic, he gave aid to the wounded. He would overcome the fear of witnessing death’s witless massacres each time he hurled himself into the line of fire. After the war, he learned the necessity of healing the mind that survived the broken bodies, and then the souls that were left helpless before the void of meaningless pain. In this way he gave his heart away to the veterans who needed it. There was no People Magazine for Jack McCloskey No “Jack McCloskey dies News at Eleven.” Country Joe McDonald is playing Sweet Lorraine. The light show vibrates the air and his friends dance. Now, my friend Ron Thelin also has died at too young an age. How we were tied together by those mysterious threads that pull us from life to life. Two unheralded, trusting young men traversed the Godhead, and a spark ignited in that calculus of history. Ron started the Psychedelic Shop in the Haight Ashbury, and a few months later he gave us the money to begin the San Francisco Oracle. Our lights lit a small path for the world. We learned in that cauldron the integrity that kept our lives dedicated to the unfolding of the mysterious heart and the infinite depth of the moment and place we live in. Through the years the glowing diamond of Ron’s life was his wife, Marsha, and their children, Kira, Jaspar Starfire, and Ace. This was the longest running marriage and family of our generation. Yes, we also shared our lives with our mistakes, with our excesses and our failures. But our love, my brothers and sisters, enters into the small molecules of our genes and builds souls, and those souls will create histories, and beings, and worlds, and unite generation to generation, and that love is at the beginning and the end. Then Ambrose Hollingsworth, whose small light also lit the path of our history, passed on. Ambrose bound to his wheelchair a writer, scholar, and occultist taught the occult philosophies wherever he rolled. He told me once during the time he was choosing the astrologically correct date for the Human-Be-In what the hidden secret was, “We are not just the broken body,” he said. “We are one infinite soul vibrating, expanding, contracting - one being, one God.” Watch out now we are heading here for the basic hippie truths - Like the swirling vibrating colors of the light show we are rocking with the galactic winds. Brothers and sisters, we are the galactic winds and all the burning suns rolling toward the end of the universe, which we are also, or the endlessness of the universe, which we also are or the turning mobius strip of the universe which we are. And our love, the inner and the outer love, that is our true nature, our contribution to the calculus of history. Sensual love and the love that binds us to All of It, to the oneness, that smiling, joyful, peaceful love that makes each step, each motion, each breath so real, so eternal and so momentary, the carrying water and chopping wood moment the marrying through moment, the merging into your lover moment the moment when death and life are one.

Allen Cohen

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We Are All On The Bus
in memory of Ken Kesey - November 10, 2001

Waking down Pearl St. in Oakland a curled brown oak leaf flutters and floats down to the sidewalk. I think of Kesey’s great soul ripped like a giant redwood from the earth floating upward fluttering around us laughing urging us to an openness that humanity has forgotten in the midst of yet another war of fear and hatred. He joins the great cabal of our generation - our beat-hippie ancestors urging future generations to move toward freedom-real freedom that has its roots in the open heart and the truthful mind. They are greeting him there in the land of the ancestors Kerouac, Ginsberg, Leary Garcia, Cassidy, Lennon, Parker, Coltrane, Janis, Hendrix Miles, Corso, Micheline. They are there smiling at the wonder of the cycles of life at the humor of being and not being at the playfulness of the illusions we build our empires upon. They will dance there forever and we can dance with them as we have in the great exploration that opened up the unity we discovered together hidden in the depths of the mind. This is the real graduation, the alignment with the light toward which we are forever traveling.

Allen Cohen

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Song For Dino
in memory of Ken Kesey - November 10, 2001



He was the outlaw of folk
Speeding down the lonely highway
from the Village to North Beach
He was the heavy candy man

Singing in the Coffee Gallery
his voice resounded
through the shock of assassination
echoing the deep moan of the nation

He was the outlaw of Rock
another fallen warrior of the ‘60s
From Quicksilver to jail and back again
he was the hard candy man

From the flames of the highs
come the ashes of the lows -
hearts rupture
and tumors grow

There is a burning in the soul
that breaks the heart apart
driving the mind to madness
and the wounds never heal.

The world soul burns
an infinity of bodies
so many broken
by the demons within

But the song flies
through the gateway of time
the ideal rises and falls
and the dream never dies -

Come on people now
Smile on your brother
Everybody get together
Try to love one another,
Right now!

Allen Cohen

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